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Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and “hybrid” elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.
Architecture, Hellenistic --- Art, Ancient --- Art, Hellenistic --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Hellenistic art --- Art, Greek --- Hellenistic architecture --- Egyptian influences --- Meroe (Extinct city) --- Nubia --- Meroe (Sudan) --- Merowe (Extinct city) --- Sudan --- Nūbah --- نوبة --- بلاد النوبة --- Antiquities. --- Civilization. --- Antiquities --- Art, Nubian --- Egyptian influences. --- Art, Primitive
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"This book is a study of the woman-and-child motif as it appeared in the Bronze Age eastern Mediterranean, focusing on Egypt, the Levant, Anatolia, Mesopotamia, Iran, Cyprus, and the Aegean. Rather than being a universal symbol of maternity, or a depiction of a mother goddess, the woman-and-child motif, called by the technical name kourotrophos, was relatively rare in comparison wtih other images of women in antiquity, and served a number of different symbolic functions, ranging from honoring the king of Egypt to giving extra oomph to magical spells"--
Bronze age --- Art, Prehistoric --- Sculpture, Prehistoric --- Figurines, Prehistoric --- Mother goddesses --- Mother and child in art. --- Age du Bronze --- Art préhistorique --- Sculpture préhistorique --- Figurines préhistoriques --- Déesses mères --- Mediterranean Region --- Méditerranée, Région de la --- Antiquities. --- Antiquités --- Mothers in art --- Antiquities --- Mothers in art. --- Art préhistorique --- Sculpture préhistorique --- Figurines préhistoriques --- Déesses mères --- Méditerranée, Région de la --- Antiquités --- Mother and child in art --- Prehistoric sculpture --- Sculpture, Primitive --- Goddesses --- Prehistoric figurines --- Statuettes, Prehistoric --- Civilization --- Prehistoric art --- Art, Primitive --- Sculpture --- Bronze age - Mediterranean Region --- Art, Prehistoric - Mediterranean Region --- Sculpture, Prehistoric - Mediterranean Region --- Figurines, Prehistoric - Mediterranean Region --- Mother goddesses - Mediterranean Region --- Mediterranean Region - Antiquities
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Friezes --- Women in art. --- Social status in art. --- Art --- Art and society --- Frises --- Femmes dans l'art --- Statut social dans l'art --- Art et société --- Political aspects --- History. --- History --- Aspect politique --- Histoire --- Parthenon (Athens, Greece) --- Social status in art --- Women in art --- Architecture --- Decoration and ornament --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art and sociology --- Society and art --- Sociology and art --- Details --- Social aspects --- Art, Primitive
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